Editing: One Of My Superpowers

Day after day, month after month and year after year, I have shaped my life around words. (And my words around life.)

I have taken, and continue to take, many, many courses, classes and workshops. I have been edited myself, and read books and articles about using words, and written and edited hundreds of pieces of writing. I have learned from it all.

And in the course of doing all that, I have become a strong wordsmith.

Editing is one of my superpowers. It’s not as flashy as scaling skyscrapers or similar, but it does come in handy.

Leslie Lang, Writer, Journalist, Author, Family History, Personal History, Memoir, Hawaii, Big Island, Talk Story Press, Editor, Editing

A Truth: If you are self-publishing a book, you must — in order to be taken seriously — spring for two things: professional editing, and professional book cover design.

I don’t do cover design, but I can definitely help with editing.

This article, showing what are purportedly some actual errors that got into print due to a lack of editing, is eye-opening. What if this were your book?

“An Australian publisher has destroyed 7,000 copies of a cookbook after a recipe called for ‘salt and freshly ground black people.’ The recipe, for spelt tagliatelle with sardines and prosciutto, was meant to call for black pepper, but a typo led a computer spell-checker program to insert the erroneous word.”

That is an over-the-top example of the importance of editing, true, but much less dramatic errors will also cause readers to discredit you and your book.

This Huffington Post article ‘Honor Your Readers, Hire an Editor’ lists some of the comments at Amazon.com about one self-published book that wasn’t edited well. Horrifying.

Your spouse, the English major, or your friend that’s really good with words might help you with earlier drafts. But trust me: Once you’re getting serious, you need to hire a professional editor who knows the business.

From Go-Publish-Yourself:

It’s the Book Editing, Stupid. Why You Need a Good Book Editor

If you don’t spend time and money with a good book editor, everything else you do to publish and market your book won’t matter. A poorly edited book is a waste of time and money. Every dollar you spend promoting an error-prone book might as well be spent in Vegas. Read the rest

From www.forbes.com, Business section:

Thinking Of Self-Publishing? Ben Galley Has Some Advice

…Objectivity and professionism are key, Galley said, emphasising the need for self-published authors to take care over the editing of their manuscript:

Editing is an imperative. It is what will set you apart from other self-published authors out there. Self-publishers think they don’t have to put the work in, that people will be forgiving, but that’s wrong. You have to be as good as, or better than, traditionally published books, and traditional publishers’ editors are very good at their job.

“Editing is the key to being taken seriously. You can do one or two rounds of editing yourself, but then you have to give it to other people because you’re not objective enough to take it to a professional level.” Read the rest

Hawaii self publishing book editor More on the importance of hiring a professional editor herehere and here. I could go on.

I edit self-published books (and other works) often, and am happy to help you with yours. Here are some comments I’ve gotten just this month from editing clients:

• “Thank you for your help on this project! Your work is first class. I think you’re awesome.”

• “I must say I am absolutely impressed with your thorough work. Thank you again for doing this for me.”

Are you self-publishing a book, or working on another type of writing that you want to ensure is as polished as possible?

I’m happy to talk with you about how we would work together. You can reach me at 808 964-1494 or leslie@leslielang.com.

Facebooktwitterlinkedinmail

Book Review: ‘Reunion, A Search for Ancestors,’ by Ryan Littrell

reunion coverOn Facebook a couple weeks ago, I saw an ad for the book Reunion by Ryan Littrell. Its subtitle is “A Search for Ancestors,” and it definitely caught my eye. (Isn’t Facebook good at targeting its ads!)

I read about the book and then impulse-ordered it.

Turns out it’s a good book. I’m glad I did.

I was hooked early on by this passage about looking at a photograph of two nineteenth-century ancestors; this passage almost could have been pulled out of my own head. I think about things like this. Do you?

You can’t see in their eyes what you see in a friend who trades a knowing glance with you, because these ancestors never had the chance to know you, and so they never spoke of you, they never cared about you. What would they have thought of you if they were around today? Would they invite you in, like you were some long lost grandchild of theirs, or would they be polite and distant, the way they might treat a strange new acquaintance?

Each of us could ask these questions, but we know that there can be no response. We were never given the chance to know all the ways he would look after us, or how she would smile at us, or how they might have spoken of us, even when it was just the two of them. Our ancestors are never going to return our calls.

But spookily, they’re here. Their DNA is our DNA, in us right now, influencing everything our bodies and minds do….

I recommend this book to anyone who is curious about – or is currently researching, or ever has or will research – his or her family’s genealogy. Littrell brings the reader along as he researches, travels, meets distant cousins and uncovers the history of his family. It’s a great look at, and example of, how to do good genealogical research, and it tells an interesting story, as well.

He includes some Scottish Highlands and clan history. This book will be of special interest to anyone who traces their roots to the Scottish Highlands, and to people descended from McDonalds/MacDonalds or McDaniels/MacDaniels. Though neither of those categories apply to me, and I totally enjoyed it, too.

The synopsis:

Where do I come from? That question sets Ryan Littrell on a journey that crosses centuries and many miles. An anonymous letter, found at the bottom of a box of black-and-white pictures, reveals the first clues about his grandmother’s family story, and soon those clues lead him to a country graveyard and a long-lost cousin. Then faded names in old books, along with a DNA surprise, unearth one more generation, and yet another. And as one hint leads to the next, from the 19th century back into the 18th, he discovers his family’s place in a people’s tragic struggle-a tale of heartbreak, betrayal, and unfailing strength. A real-life account, Reunion shows how our ancestors just might still be a part of us, and how our story began long before we were even born.Screen Shot 2013-01-28 at 12.06.26 PM

Click for an interview Ryan Littrell did with the family history blog Moultrie Creek Books.

In that interview he discusses one part of his story that I find especially interesting: How he used DNA testing, our newest tool in the genealogy arsenal:

Q. What was your most surprising discovery related to this project?

A. That’s a tough question, because there were so many discoveries along the way. But if I had to pick one, it would be that email revealing my uncle’s DNA results: Each person who matched my uncle’s DNA was descended from a single family that lived for many generations in one particular spot in the Scottish Highlands. My whole life, I’d had no clue where this part of my family had come from. But suddenly, with one cheek swab from Uncle Chuck, we knew the truth.

Reunion is an interesting and well-written book; recommended. If you’re interested, buy the paperback here or download the Kindle version here.

If you’d like to know more, here’s a short Ancestry.com article by Ryan Littrell about his family history search.

You can follow Ryan Littrell and learn more about him and his book at Facebook.

As always, I hope you’ll come back here and let me know if you read the book, so we can talk about it some more!

 

Facebooktwitterlinkedinmail

Storytelling For Fun & (Business) Profit

Which business would you rather work with?

  • The one that displays a paragraph on its website listing the year it was founded, by whom, how many employees it has and that it belongs to the local Chamber of Commerce?
  • Or the one with the interesting story about how its founder started his 600-acre farm by trading chicken manure from his family’s chicken farm for banana starts and how things developed from there? (True story.)

Some of what we do here at Talk Story Press is to gather families’ stories together in one place and weave them together into an interesting narrative arc. We retell them in a rich, full way, and then help the family create a printed book from it all. We also do this for individuals who want to tell their own stories, or that of a family member or dear friend.

And we do the same thing – tell a good backstory – for businesses. Because what’s more interesting when someone wants to learn about a company they may hire, or decide to work for? Reading an ad or a dry press release? Or reading a story – a narrative – about how the business came to be?

Talk Story Press, Leslie Lang

This Wall Street Journal article, Why Your Company Needs a Moving Start-Up Story, uses a Bruce Springsteen encounter, among others, to talk about the importance of having an epic story.

Take the legend about FedEx founder Fred Smith’s gamble with the last $5,000 in its checking account. In the book “Changing How The World Does Business,” Roger Frock, one of the founding executives of the company, told the story of how, in the make-or-break start-up days of the company, Mr. Smith took the $5,000 in the company’s checking account to Vegas and bet it all….

Read the rest here.

You can use your epic start-up story to make employees feel like they are part of something amazing, and, of course, to draw in customers. To show them what is special about your company. To make yourself stand out from the competition.

We also help businesses and organizations write special anniversary books that capture the whole history of a company.

Can we help you write the story of your business? Let us know if you’d like to know more or to explore the idea.

Facebooktwitterlinkedinmail

Post-Hoopla Report

Leslie Lang, Talk Story PressThe hoopla of the holidays has died down, the week-long flu my family “enjoyed” shortly after New Year’s has ended, and here we are.

I enjoy the holidays, but am always ready to get back to Real Life when they are over. (I did not much enjoy the flu.)

We’re on to a new calendar with what always feels like a new, fresh start. The fireworks are over and now it’s about sitting down and achieving. Anything is possible!

I started the New Year – or ended the last one, actually – by reorganizing. I repurposed a couple rooms in my home and switched them, meaning my Talk Story Press office ended up in a new spot and got a major restructuring at the same time. It’s a better situation and I like it.

As I moved things, I cleared through all my office files, while also rearranging them so they are more organized for how my work has evolved. I’m happy to have done this. When my space and work is well-organized, so too is my head.

And now I’m back to it. My plate is filled with:

  • Writing/editing/consulting for businesses (for instance, I still manage and edit the active Hamakua Springs blog, and do ghostwriting/social media/other writing for businesses, as well),
  • Editing (at present I’m editing a memoir for an interesting, long-time Hilo resident, and a small self-help book for another client)
  • Writing the occasional magazine article, and
  • Working on personal and family history projects.

The personal and family history projects are always so interesting and satisfying. I’ve just finished interviews with an older woman whose son and daughter-in-law have commissioned a book about her life. Interviews with her reveal that her father had fought for Japan in the “Russo-Japanese war” before immigrating to Hawai‘i during sugar plantation days; and that her parents always worried about being shipped off to a concentration camp during World War II (fortunately, they were not).

Another project in the works is a book I’m doing for a client whose father died unexpectedly. By interviewing his siblings, mother and daughter, I am creating a narrative of her father’s life; put together with photos, it will end up as a lovely, printed book.

I have a couple projects for my own family in the works, as well. For decades I’ve gathered family stories and pictures and done genealogical research, but it’s no good to anyone if it’s just scraps of paper in a file drawer (or two), right?

That’s why I’ve gone into this personal and family history business with such delight. I find it very satisfying to help a family capture the stories that tell how it all unfolded to get them where they are now.

Because otherwise, anything you know about where your family came from, and how your grandmother came to be the person she is, and all the rest of it, it all just sort of poofs into the air and is gone when you are.

Maybe your father has told you a handful of stories about his childhood; but how many stories? Four? How many of those you pass down? One? None? It’s not too late.

Do you know where your grandparents came from, and why? Maybe your children aren’t interested now, but they might be later in their lives, when there’s no one around anymore to tell them. Or their (future) children or grandchildren might want to know – and even if you never meet them, they will know you and love you for having preserved that information for them.

Taking raw material and turning it into a published book that can sit on a shelf, available to anyone who’s interested as it passes through the generations – this is a delight. Whether it’s for my family or someone else’s, it feels so good to preserve these stories of ours.

If you’d like to hear more about my writing, and maybe read an occasional bit from a current project (shared with permission), please sign up for my quarterly newsletter. There is a Talk Story Press newsletter coming out soon. And never fear, your email address is always safe with me. I’ll never share it.

Also, once in awhile I offer a special deal on a personal history project through my newsletter, so sign up at right to keep in the know.

How about you – are you all organized and rejuvenated for a new year? Is it time to work on a part of your family history, or the story of a parent or grandparent, that needs to be preserved and printed? I’d be happy to discuss how we could work together in 2013.

Facebooktwitterlinkedinmail

Personal Historian

Before It’s Too Late!

personal history, personal historian, Leslie Lang, writer, Hawaii writer

Have you dreamed about recording a parent’s story? Or writing about the history of your family, and the path it took over the decades – now, while your grandparents can still tell you what they know? How about documenting the history of a company you built up from nothing, or recording the life of a long-beloved family home?

Lots of people consider such a project, but often don’t actually get around to doing it — either because they lack the time, and/or, very often, because they don’t have the know how or specific skills to pull it all together. And once someone is gone and it’s too late, there is often such a feeling of regret.

This is where a personal historian comes in.

Personal historians are storytellers, often (but not always) hired by a younger generation to capture, organize and preserve the stories of an older one. They are experts who know how to carry such a project to completion.

The Association of Personal Historians defines a personal history as:

…the story of a life, or stories from a life. It may be a memoir, a tribute, a life story, an autobiography, a biography, a video biography, or an oral history. It may also be a legacy letter or ethical will, expressing one’s values, wishes, regrets, observations about life, lessons learned, and so on. Many personal histories are books, a growing number are captured on video, and some are still simply audio.

Personal historians are creative professionals who help both celebrities and “ordinary people” tell their life stories. A personal historian may be engaged to help individuals, families, communities, or organizations preserve memories, images, voices, stories, and histories – often (but not always) in narrative form.

personal historian, personal history, Hawaii writerAs a personal historian, I use my many, many years of personal interviewing skills to sit down with someone and glean the story they have within them and want to preserve. They review everything, and then I put it all together in a professional, finished format.

Your stories and photos can end up as a high-quality, professionally designed book for your family or organization.

Another option is to put together a video project, using whatever combination of recorded audio, video clips, photos, musics, effects and narration work. The result is a polished multimedia project you can share by computer or disk, show at a celebration, memorial or other special get-together, and keep forever.

Why hire me, specifically? I have decades of experience working as an interviewer, writer, journalist, author, editor, cultural anthropologist and historian. I am a digital “junkie” who enjoys putting professional projects together on the computer. My friends say I am a Storyteller.

Please let me know if you have a project in mind and would like to discuss it.

And if you’re not ready to do your personal history yet, I’d like to encourage you to sign up for my quarterly newsletter. You’ll also get email notifications when I post here to the blog. It’s a way to get more comfortable with who I am, and the work I do, before jumping into a project of your own. (Do not be afraid! Girl Scout Promise: I will never abuse your email address, and I work hard to make my monthly newsletter interesting and worth reading.) 

Thanks for checking out my website, and I’d love to talk to you about a personal history project when you’re ready.

top photo © Mikle15 | Dreamstime.com  / middle photo © Karin Hildebrand
Facebooktwitterlinkedinmail

Books on Writing

I guess it’s no surprise there are so many books about writing. We writers need something to write about, and some of us write about writing.

Writing is a craft that I continually work on. In college I majored in journalism, and since then I have continued to take writing classes (both in person and online), participate in professional writers’ groups and online forums, and sometimes in local writers groups — and I also read how other people have succeeded as writers. How they do it. Their tips.

They’re just like us, most of those other writers. We’re all just people sitting in front of a yellow pad of paper or a laptop, starting with a blank screen and a head full of ideas. Reading over the years about how some people have accomplished what they’ve done has helped me set goals for my own writing, and reach high.

I could read about writing until the cows come home. (“What cows?” asked my then-four-year-old with a puzzled look, once, when I used that expression.) Though it’s best to put down the books and hit the keyboard from time to time.

Here are just some of the writing books on my shelves, which I’ve loosely grouped into categories here. I have learned from or been inspired by many of these.

BUSINESS

Early on I realized that you are only a hobbyist, and will likely get nowhere as a professional freelance writer, until you accept that it’s a business and you need to be businesslike (in setting goals, where you focus your efforts, calculating your overhead and knowing how much to charge, protecting your copyrights, handling accounting, paying taxes and much more). Some creative sorts have to really force themselves to buckle down and learn the business aspect of being a self-employed writer. Here are some books that can help:

  • The ASJA Guide to Freelance Writing, ed. by Timothy Harper
  • This Business of Writing, by Gregg Levoy
  • Make a Real Living as a Freelance Writer, by Jenna Glazer
  • Six-Figure Freelancing, by Kelly James-Enger
BY WRITERS ABOUT WRITING
I don’t know how to group these books, some of which inspired and convinced me I could quit the day job and live happily as a writer (they were right!):
  • Bird by Bird, by Anne Lamott
  • The Writing Life, by Annie Dillard
  • If You Want to Write, by Brenda Ueland
  • Becoming a Writer, by Dorothea Brande
  • Writing Down the Bones, by Natalie Goldberg
  • Living the Writer’s Life, by Natalie Goldberg
  • Thunder and Lightning, Cracking Open the Writer’s Craft, by Natalie Goldberg
  • Zen in the Art of Writing, by Ray Bradbury
  • Making a Literary Life, by Carolyn See
  • On Writing, by Stephen King
  • No Mentor But Myself: Jack London on Writing and Writers, ed. by Dale L. Walker and Jeanne Campbell Reesman
FICTION/NOVEL WRITING
What pondering these titles from my bookshelf tells me is that I have long wanted to delve more into fiction and novel-writing. But I knew that already.
  • On Becoming a Novelist, by John Gardner
  • On Teaching and Writing Fiction, by Wallace Stegner
  • The Art of Fiction, by John Gardner
  • Writing the Novel, by Lawrence Block
  • Writing Fiction, by Janet Burroway
  • How to Write a Book Proposal, by Michael Larsen
  • The Complete Handbook of Novel Writing, ed. by Meg Leder, Jack Heffron and the editors of Writer’s Digest

MAGAZINE/NEWSPAPER WRITING
I have done an awful lot of this. I started out, long ago, writing an occasional freelance piece for the Honolulu Star-Bulletin, and then got a regular freelance gig working for Hilo’s Hawaii Tribune-Herald, where I wrote features and entertainment articles every week. That was terrific in teaching me how to just sit down and do it. When I had several articles due each week, I also got over my reticence about calling people to ask questions. That was worth it all right there.

After that I started writing for magazines. More interesting, more in-depth, more time for craft. Yet it doesn’t always pay enough to pay the bills. There are a few people who only write for national magazines and make a good living, but you cannot count on that these days. If magazine freelancing is your plan, you’d better start out with some other income, too.

  • The Art and Craft of Feature Writing, by William E. Blundell
  • Writing for Story, by Jon Franklin
  • Creative Nonfiction, by Philip Gerard
  • Story, by Robert McKee
  • Handbook of Magazine Article Writing, ed. by Jean Fredette
  • You Can Write a Column, by Monica McCabe Cordoza
  • The Renegade Writer, by Linda Formichelli and Diana Burrell
  • Travel Writing, See the World, Sell the Story, by L. Peat O’Neil
  • Literary Journalism, ed. by Norman Sims and Mark Kramer
MEMOIR
  • Living to Tell the Tale, A Guide to Writing Memoir, by Jane Taylor McDonnell
  • Inventing the Truth, the Art and Craft of Memoir, ed. by William Zinsser
ON WRITERS
It’s aways fun to read how other writers do what they do. Computer? Typewriter? Pencil and pen? Schedules? Rituals? Isabel Allende always starts writing a new novel on January 8th, because that’s the date she started her very successful (and wonderful) novel House of the Spirits. (It’s one of my favorites.)
  • Writers on Writing, Collected Essays from the New York Times
  • The Writer on Her Work, by Janet Sternberg
  • The New New Journalism, ed. by Robert S. Boynton
COPYWRITING
Some of my work falls under the category of copywriting. These books were somewhat interesting as I started out writing for businesses, but I’ve found that I figured out a lot of it by myself, along the way. The Well-Fed Writer is currently a bible to some copywriters.
  • The $100,000 Writer, by Nancy Flynn
  • The Well-Fed Writer, by Peter Bowerman
  • Secrets of a Freelance Writer, by Bob Bly
  • The Copywriter’s Handbook, by Bob Bly
RADIO
This is one of the few books from my long-ago college journalism days that I’ve kept. I have worked in public (and commercial) radio a little bit, and really enjoyed it. I keep the book in case I want to get back into it one day. Cool book.
  • Telling the Story, the National Public Radio Guide to Radio Journalism
LASTLY
And, my favorite title of all:
  • Too Lazy To Work, Too Nervous to Steal: How to have a great life as a freelance writer, by John Clausen

Image © Tanjaru | Dreamstime.com

Facebooktwitterlinkedinmail

Q&A With Darien Gee About Her New Novel ‘Friendship Bread’

Darien Gee, author of The Friendship BreadDarien Gee is a Big Island writing dynamo, and acquaintance, whose new novel Friendship Bread (Ballantine Books/Random House) comes out April 5, 2011.

It’s a great read! I read some of it and really liked it. (It’s so nice when you read the writing of someone you know and don’t have to struggle to think of something nice to say.) I’m looking forward to the book coming out. She kindly agreed to answer some of my questions about her new book and her writing, and our Q&A follows. But first, if you’d like to know more, here’s where you can:

You can buy the book here. Do! It’s a good book, and you should support our Hawai‘i writers.

This is Darien’s fourth published novel. She’s definitely got it figured out! Here’s what she told me:

Q. Your newest novel’s genesis came about when your daughter brought home some Amish Friendship Bread, which definitely makes the rounds and we’ve all had it. How old was she, and where did she get it? Were you the type to bake?

My daughter Maya was eight when she walked through the door holding a Ziploc bag of Amish Friendship Bread starter and a few slices of the bread. She’d received it from one of her homeschool friends.  I actually told her to forget it, that we weren’t going to do it, but then I tasted the bread and I was hooked.

Q. Do you still have that starter going?

I do. I also have one that a friend gave me from 2006. Both are still going strong!

Q. Tell us how your novel idea formed from that.

On the day that Maya brought home the starter, I was standing in my kitchen eating the bread when I saw a woman in my mind with strawberry blond hair, regarding the bag of starter with the same initial apprehension. That was Julia. I could sense a sadness hanging over her, but I didn’t know what it was about. I started writing that night.

Q. What’s something you particularly like about this book?

I love the anecdotal characters of Friendship Bread, like Gloria the fortune teller, A.A. the biker, Connie the laundromat manager, and Clyde the pharmacist. They were a happy accident that ended up being an integral part of the structure of the book. I found they served two purposes: one, they showed how the bread was moving through the town and touching the lives of everyone in it, and two, they gave us a break from the intensity of the primary narrative. These characters were fun to write, because I got to stand in their shoes and just witness their lives spilling onto the page. I could see how their peripheral lives intersected with my main characters in an indirect, but sometimes profound, way. It was a good reminder about how interconnected we all are, and that we are not alone even when we think we are.

Q. Tell us about how you got started as a novelist; about deciding to sit down and write your very first novel. What made you do it? How old were your kids then? How did you do it?

Good Things was my first published novel, and I have one unpublished novel that I was offered representation on a few years prior. That story is now a little dated and I’m not sure I want to bother rewriting it versus starting something new altogether. Each time I read it, though, I fall in love with the characters all over again, so we’ll have to see.Good Things was written when my daughter was four. Each subsequent Mia King novel coincided with the birth of another child, and you can see it in my acknowledgments. My last Mia King novel, Table Manners, was tricky because my deadline was a few weeks after I’d given birth, but it worked out well in the end.I had some writers tell me that writing with young children was too difficult and that I’d be better off waiting until they grew up, but I didn’t want to wait—to be honest, I felt like I’d waited long enough. Friendship Bread, my fourth novel but the first one written under my own name, Darien Gee, will be published when my youngest is two and a half.

Q. How is it the process different now that you are on your fourth published novel? What has changed?

The process is the same. In some ways, Friendship Bread was a bit like starting over again—I ended up with a new agent, a new publisher, a new name (even though Darien is my real name, I’d never published anything by it). What changed is that I have more confidence about my work, about being able to tell a story that resonates with readers. I’m also better at navigating the business of writing.

Q. You seem to be publishing a book a year. Tell us about how you keep that up. What is your writing schedule/routine?

My original goal was a book a year, but then Friendship Bread took longer because in a way I was starting over. I don’t have a schedule and every time I try to set one, I don’t stick to it. I’m pretty disciplined when it comes to writing and edits, though, and I listen to my inner self—when it’s time to write and things are flowing, I write. Even if I’m tired. Even if it’s inconvenient. I’ll tell my husband that it’s time and we’ll re-juggle our schedules. If I’m in a lull, I give myself the time off and not force myself to write. I trust the creative process but I do integrate deadlines and personal goals. Everyone is different but this seems to work well for me.

Q. The novelist Isabel Allende starts writing a new book every year on January 8th. Do you have any writing superstitions?

I don’t have anything I would call a superstition, but I do have several processes. I rarely stop writing mid-chapter—I always write to a close. If I know I can’t get there, I may not write at all that day and wait until I can. I cannot leave things hanging and when I do, it takes me forever to get back in and I just don’t have that kind of time. I also seem to write better at night. I can work on edits or handle the business aspects of writing during the day, but when I’m working on a first draft, on a new story, I prefer darkness and solitude. I used to pass my husband and children in the hallways around dawn—I’d be heading to bed as they were waking up.

Q. What advice would you give to others who want to tackle writing a novel?

To go for it, to not give up. I have some tips on writing from a UCLA extension writing class. You can view them by going here (http://www.friendshipbreadkitchen.com/pantry/on-writing).

Q. What’s your next project?

I’m almost done with the second book in the series. It’s called Memory Keeping and picks up about six months after Friendship Bread ends, in the summer of the following year. Some familiar characters are back and some peripheral characters, like Connie, have moved to the forefront, and there are newcomers, too. There isn’t that much Amish Friendship Bread in this book, but we’ve moved onto something just as appealing: scrapbooking, thanks in part to Bettie Shelton, founder and president of the Avalon Scrapbooking Society. It does move through the town but in a completely different way and for completely different reasons than the first novel.

Darien Gee is the author of three novels under the name Mia King: Good Things (2007), Sweet Life (2008) and Table Manners (2009), all published by Berkley Books, Penguin USA. Her fourth novel, Friendship Bread, will be published in hardcover by Ballantine Books in April 2011 and has sold foreign, audio, e-book, and book club rights.

Facebooktwitterlinkedinmail

How Freelance Writing Has Changed, & Why Editors Get What They Pay For

If you’re not in the freelance writing business, you might not know how much it’s changed. But oh, how it has changed.Check out this American Society of Business Publication Editors blog post, in which “ASBPE award winning freelance writer Tam Harbert explains why even in the age of content farms and $15 fees for articles, trade publications get exactly what they pay for when it comes to hiring editorial talent.”

Facebooktwitterlinkedinmail