Post-Hoopla Report

Leslie Lang, Talk Story PressThe hoopla of the holidays has died down, the week-long flu my family “enjoyed” shortly after New Year’s has ended, and here we are.

I enjoy the holidays, but am always ready to get back to Real Life when they are over. (I did not much enjoy the flu.)

We’re on to a new calendar with what always feels like a new, fresh start. The fireworks are over and now it’s about sitting down and achieving. Anything is possible!

I started the New Year – or ended the last one, actually – by reorganizing. I repurposed a couple rooms in my home and switched them, meaning my Talk Story Press office ended up in a new spot and got a major restructuring at the same time. It’s a better situation and I like it.

As I moved things, I cleared through all my office files, while also rearranging them so they are more organized for how my work has evolved. I’m happy to have done this. When my space and work is well-organized, so too is my head.

And now I’m back to it. My plate is filled with:

  • Writing/editing/consulting for businesses (for instance, I still manage and edit the active Hamakua Springs blog, and do ghostwriting/social media/other writing for businesses, as well),
  • Editing (at present I’m editing a memoir for an interesting, long-time Hilo resident, and a small self-help book for another client)
  • Writing the occasional magazine article, and
  • Working on personal and family history projects.

The personal and family history projects are always so interesting and satisfying. I’ve just finished interviews with an older woman whose son and daughter-in-law have commissioned a book about her life. Interviews with her reveal that her father had fought for Japan in the “Russo-Japanese war” before immigrating to Hawai‘i during sugar plantation days; and that her parents always worried about being shipped off to a concentration camp during World War II (fortunately, they were not).

Another project in the works is a book I’m doing for a client whose father died unexpectedly. By interviewing his siblings, mother and daughter, I am creating a narrative of her father’s life; put together with photos, it will end up as a lovely, printed book.

I have a couple projects for my own family in the works, as well. For decades I’ve gathered family stories and pictures and done genealogical research, but it’s no good to anyone if it’s just scraps of paper in a file drawer (or two), right?

That’s why I’ve gone into this personal and family history business with such delight. I find it very satisfying to help a family capture the stories that tell how it all unfolded to get them where they are now.

Because otherwise, anything you know about where your family came from, and how your grandmother came to be the person she is, and all the rest of it, it all just sort of poofs into the air and is gone when you are.

Maybe your father has told you a handful of stories about his childhood; but how many stories? Four? How many of those you pass down? One? None? It’s not too late.

Do you know where your grandparents came from, and why? Maybe your children aren’t interested now, but they might be later in their lives, when there’s no one around anymore to tell them. Or their (future) children or grandchildren might want to know – and even if you never meet them, they will know you and love you for having preserved that information for them.

Taking raw material and turning it into a published book that can sit on a shelf, available to anyone who’s interested as it passes through the generations – this is a delight. Whether it’s for my family or someone else’s, it feels so good to preserve these stories of ours.

If you’d like to hear more about my writing, and maybe read an occasional bit from a current project (shared with permission), please sign up for my quarterly newsletter. There is a Talk Story Press newsletter coming out soon. And never fear, your email address is always safe with me. I’ll never share it.

Also, once in awhile I offer a special deal on a personal history project through my newsletter, so sign up at right to keep in the know.

How about you – are you all organized and rejuvenated for a new year? Is it time to work on a part of your family history, or the story of a parent or grandparent, that needs to be preserved and printed? I’d be happy to discuss how we could work together in 2013.

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Memoir Reunites Cousins Separated 70 Years Ago

This story, from the Miami Herald, is an amazing one — and it all happened because one of these first cousins, separated by the Holocaust when they were young boys, wrote a memoir that the other one happened to see. What a dramatic illustration of the power of writing down your family history!

Do you have a family story you need to preserve? Contact me and we’ll brainstorm about it.

Cousins who survived Holocaust reunite in Broward after almost 70 years

The two men, who last saw each other in a concentration camp, fulfilled a dream Sunday in Tamarac as they met again, thanks to a memoir that one wrote.

[Photo deleted]

Leo Adler, left, looks at a picture of his mother with Leon Schagrin. Adler recently found his first cousin, Schagrin, after Adler saw this photo of Schagrin’s mother in a memoir that Schagrin wrote and realized their mothers were sisters. On Sunday they met for the first time in 70 years during the South Florida Holocaust survivors Purim party in Tamarac. Photo by Joshua Prezant

BY ELINOR J. BRECHER

For almost seven decades, Leo Adler looked for the cousin he knew only as Lemel, last seen in a Nazi death camp in 1944.

This Lemel, the son of his mother’s sister, would be Adler’s only living close relative. Everyone else died in the Holocaust.

Adler, a Hallandale Beach/Long Island snowbird, couldn’t remember his cousin’s last name, so his searches always hit a dead-end.

But in late February, a friend gave Adler a copy of another South Florida survivor’s memoir. She figured he would be interested because the author, Leon Schagrin, hailed from a town in Poland close to Adler’s native Tarnow….

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Record a Personal History & Stop the World

When I read this excellent essay at NPR’s website, I thought: That is why we take the time and make the effort to record people’s stories, their personal histories. Because it’s the stories that keep our parents, our grandparents, our siblings who died too early and cherished friends and great-grandparents and others from winking out of our memories.

From npr.org:

September 20, 2010

by ROBERT KRULWICH 

Now that it’s almost fall and there is a hint again of things passing, I think about a boy who once looked out a window, and wistful about time slipping by, he made it stop. Yes, he stopped time.

I love this story. It was told by Loren Eiseley, an anthropologist and one of my favorite science writers. Eiseley grew up in Nebraska and one day, when he was in high school, he happened to glance out the window and saw a junkman heading up a city street.

In 1923, junk men collected potentially valuable garbage and hauled it off for resale. This particular junkman, Eiseley wrote, had “a broken old horse plodding before a cart laden with bags of cast-off clothing, discarded furniture and abandoned metal. The horse’s harness was a makeshift combination of straps mended with rope. The bearded man perched high in the driver’s seat looked as though he had been compounded from the assorted junk heap in the wagon bed.” 

A few moments later, when the junkman and his wagon were about to round a corner at the intersection of R and 14th streets, Loren says he “leaned from a high school window a block away, absorbed as only a sixteen year old may sometimes be with the sudden discovery of time. It is all going, I thought with the bitter desperation of the young confronting history. No one can hold us. Each and all, we are riding into the dark.”

That is when he stopped the world….  READ THE REST

This story fascinated me, and well-illustrates why I help people organize, record and publish the personal or family histories that are most important to them. It is so satisfying to help people keep their stories from disappearing. So the people in their stories stay alive for the people still to come.

So they don’t wink out.

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Personal Historian

Before It’s Too Late!

personal history, personal historian, Leslie Lang, writer, Hawaii writer

Have you dreamed about recording a parent’s story? Or writing about the history of your family, and the path it took over the decades – now, while your grandparents can still tell you what they know? How about documenting the history of a company you built up from nothing, or recording the life of a long-beloved family home?

Lots of people consider such a project, but often don’t actually get around to doing it — either because they lack the time, and/or, very often, because they don’t have the know how or specific skills to pull it all together. And once someone is gone and it’s too late, there is often such a feeling of regret.

This is where a personal historian comes in.

Personal historians are storytellers, often (but not always) hired by a younger generation to capture, organize and preserve the stories of an older one. They are experts who know how to carry such a project to completion.

The Association of Personal Historians defines a personal history as:

…the story of a life, or stories from a life. It may be a memoir, a tribute, a life story, an autobiography, a biography, a video biography, or an oral history. It may also be a legacy letter or ethical will, expressing one’s values, wishes, regrets, observations about life, lessons learned, and so on. Many personal histories are books, a growing number are captured on video, and some are still simply audio.

Personal historians are creative professionals who help both celebrities and “ordinary people” tell their life stories. A personal historian may be engaged to help individuals, families, communities, or organizations preserve memories, images, voices, stories, and histories – often (but not always) in narrative form.

personal historian, personal history, Hawaii writerAs a personal historian, I use my many, many years of personal interviewing skills to sit down with someone and glean the story they have within them and want to preserve. They review everything, and then I put it all together in a professional, finished format.

Your stories and photos can end up as a high-quality, professionally designed book for your family or organization.

Another option is to put together a video project, using whatever combination of recorded audio, video clips, photos, musics, effects and narration work. The result is a polished multimedia project you can share by computer or disk, show at a celebration, memorial or other special get-together, and keep forever.

Why hire me, specifically? I have decades of experience working as an interviewer, writer, journalist, author, editor, cultural anthropologist and historian. I am a digital “junkie” who enjoys putting professional projects together on the computer. My friends say I am a Storyteller.

Please let me know if you have a project in mind and would like to discuss it.

And if you’re not ready to do your personal history yet, I’d like to encourage you to sign up for my quarterly newsletter. You’ll also get email notifications when I post here to the blog. It’s a way to get more comfortable with who I am, and the work I do, before jumping into a project of your own. (Do not be afraid! Girl Scout Promise: I will never abuse your email address, and I work hard to make my monthly newsletter interesting and worth reading.) 

Thanks for checking out my website, and I’d love to talk to you about a personal history project when you’re ready.

top photo © Mikle15 | Dreamstime.com  / middle photo © Karin Hildebrand
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Books on Writing

I guess it’s no surprise there are so many books about writing. We writers need something to write about, and some of us write about writing.

Writing is a craft that I continually work on. In college I majored in journalism, and since then I have continued to take writing classes (both in person and online), participate in professional writers’ groups and online forums, and sometimes in local writers groups — and I also read how other people have succeeded as writers. How they do it. Their tips.

They’re just like us, most of those other writers. We’re all just people sitting in front of a yellow pad of paper or a laptop, starting with a blank screen and a head full of ideas. Reading over the years about how some people have accomplished what they’ve done has helped me set goals for my own writing, and reach high.

I could read about writing until the cows come home. (“What cows?” asked my then-four-year-old with a puzzled look, once, when I used that expression.) Though it’s best to put down the books and hit the keyboard from time to time.

Here are just some of the writing books on my shelves, which I’ve loosely grouped into categories here. I have learned from or been inspired by many of these.

BUSINESS

Early on I realized that you are only a hobbyist, and will likely get nowhere as a professional freelance writer, until you accept that it’s a business and you need to be businesslike (in setting goals, where you focus your efforts, calculating your overhead and knowing how much to charge, protecting your copyrights, handling accounting, paying taxes and much more). Some creative sorts have to really force themselves to buckle down and learn the business aspect of being a self-employed writer. Here are some books that can help:

  • The ASJA Guide to Freelance Writing, ed. by Timothy Harper
  • This Business of Writing, by Gregg Levoy
  • Make a Real Living as a Freelance Writer, by Jenna Glazer
  • Six-Figure Freelancing, by Kelly James-Enger
BY WRITERS ABOUT WRITING
I don’t know how to group these books, some of which inspired and convinced me I could quit the day job and live happily as a writer (they were right!):
  • Bird by Bird, by Anne Lamott
  • The Writing Life, by Annie Dillard
  • If You Want to Write, by Brenda Ueland
  • Becoming a Writer, by Dorothea Brande
  • Writing Down the Bones, by Natalie Goldberg
  • Living the Writer’s Life, by Natalie Goldberg
  • Thunder and Lightning, Cracking Open the Writer’s Craft, by Natalie Goldberg
  • Zen in the Art of Writing, by Ray Bradbury
  • Making a Literary Life, by Carolyn See
  • On Writing, by Stephen King
  • No Mentor But Myself: Jack London on Writing and Writers, ed. by Dale L. Walker and Jeanne Campbell Reesman
FICTION/NOVEL WRITING
What pondering these titles from my bookshelf tells me is that I have long wanted to delve more into fiction and novel-writing. But I knew that already.
  • On Becoming a Novelist, by John Gardner
  • On Teaching and Writing Fiction, by Wallace Stegner
  • The Art of Fiction, by John Gardner
  • Writing the Novel, by Lawrence Block
  • Writing Fiction, by Janet Burroway
  • How to Write a Book Proposal, by Michael Larsen
  • The Complete Handbook of Novel Writing, ed. by Meg Leder, Jack Heffron and the editors of Writer’s Digest

MAGAZINE/NEWSPAPER WRITING
I have done an awful lot of this. I started out, long ago, writing an occasional freelance piece for the Honolulu Star-Bulletin, and then got a regular freelance gig working for Hilo’s Hawaii Tribune-Herald, where I wrote features and entertainment articles every week. That was terrific in teaching me how to just sit down and do it. When I had several articles due each week, I also got over my reticence about calling people to ask questions. That was worth it all right there.

After that I started writing for magazines. More interesting, more in-depth, more time for craft. Yet it doesn’t always pay enough to pay the bills. There are a few people who only write for national magazines and make a good living, but you cannot count on that these days. If magazine freelancing is your plan, you’d better start out with some other income, too.

  • The Art and Craft of Feature Writing, by William E. Blundell
  • Writing for Story, by Jon Franklin
  • Creative Nonfiction, by Philip Gerard
  • Story, by Robert McKee
  • Handbook of Magazine Article Writing, ed. by Jean Fredette
  • You Can Write a Column, by Monica McCabe Cordoza
  • The Renegade Writer, by Linda Formichelli and Diana Burrell
  • Travel Writing, See the World, Sell the Story, by L. Peat O’Neil
  • Literary Journalism, ed. by Norman Sims and Mark Kramer
MEMOIR
  • Living to Tell the Tale, A Guide to Writing Memoir, by Jane Taylor McDonnell
  • Inventing the Truth, the Art and Craft of Memoir, ed. by William Zinsser
ON WRITERS
It’s aways fun to read how other writers do what they do. Computer? Typewriter? Pencil and pen? Schedules? Rituals? Isabel Allende always starts writing a new novel on January 8th, because that’s the date she started her very successful (and wonderful) novel House of the Spirits. (It’s one of my favorites.)
  • Writers on Writing, Collected Essays from the New York Times
  • The Writer on Her Work, by Janet Sternberg
  • The New New Journalism, ed. by Robert S. Boynton
COPYWRITING
Some of my work falls under the category of copywriting. These books were somewhat interesting as I started out writing for businesses, but I’ve found that I figured out a lot of it by myself, along the way. The Well-Fed Writer is currently a bible to some copywriters.
  • The $100,000 Writer, by Nancy Flynn
  • The Well-Fed Writer, by Peter Bowerman
  • Secrets of a Freelance Writer, by Bob Bly
  • The Copywriter’s Handbook, by Bob Bly
RADIO
This is one of the few books from my long-ago college journalism days that I’ve kept. I have worked in public (and commercial) radio a little bit, and really enjoyed it. I keep the book in case I want to get back into it one day. Cool book.
  • Telling the Story, the National Public Radio Guide to Radio Journalism
LASTLY
And, my favorite title of all:
  • Too Lazy To Work, Too Nervous to Steal: How to have a great life as a freelance writer, by John Clausen

Image © Tanjaru | Dreamstime.com

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“Gathering Places” Tour a Success!

Our recent Historic Architecture Tour of Hilo went great! It was the second in a series of three tours we give on the Big Island each fall, and this one focused on “Gathering Places.”

These tours, which are offered through Lyman Museum, are so much fun to research and lead.  It was Judith Kirkendall who designed them and she has brought me on to help. Judith is a historian and anthropologist (her dissertation was on the anthropology of food), lived for many years all over the world, and was formerly a University of Hawai‘i dean. She is just a lovely, interesting person. I am so fortunate to be able to work with her. We have so much fun working together.

Judith KirkendallJudith Kirkendall

East Hawai‘i, of course, has so much interesting history, and one of the fun things about our tours is that we can sneak people into places one doesn’t ordinarily get to see. Among many other places, we went into the Kaikodo Building and up into what was formerly its very interesting Masonic Lodge to examine the architecture – even though the Center Stage Dance Studio has recently moved in there. We talked to them in advance and got permission to have a look around even though they had a class in session! It was generous of them.

We heard all about the Koehnens building’s history,  and even went into its basement where we got to peak into a cement channel where the Wailuku River courses underneath the store. You can see the river swooshing by! I mean, you could reach down (not too far) and touch the water! Owner Karyl Franks told us some great stories about the building, how it was built, tsunamis, and how they keep that river from flooding the place.

We ate our bento lunches (included in the tour) at the Wild Ginger Inn in Wainaku, which has quite a history of its own. Its owner showed us around and told us about how it was formerly a hotspot bar/nightclub. One of our tour participants recalled going there in the 1950s when a stripper from Punahou School was performing. It’s much calmer there now.

There were many other stops as well – I’m just telling you some of the highlights – and then we ended up at the Japanese tea house at Lili‘uokalani Gardens, where we talked about Japanese architecture, brought over by Japanese carpenters who immigrated as plantation workers.

Japanese tea ceremony, Liliuokalani Gardens

The women of the tea house put on a tea ceremony demonstration for us, and it was an absolutely perfect way to end our busy tour. I think everything seemed to leave the tea house feeling a bit more calm and centered than when we arrived there.

Our next tour, also a guided van tour that starts at the Lyman Museum and runs from 9 a.m. to 2 p.m., is on Saturday, December 17th. It’s on domestic structures – or another name for it might be “Historic Homes.” Sign up for it by calling Lyman Museum at 935-5021, if you’re interested, and don’t wait ’til the last minute because we fill ’em up.

And stay tuned for news about a brand new tour series, on a new topic, that we’ll be premiering starting in February. It’s going to be neat, and I’ll tell you more about it here soon.

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Message From The Dead

Except a living man there is nothing

more wonderful than a book!

A message to us from the dead,

– from human souls whom we never saw,

who lived perhaps thousands of miles away;

and yet these, on those little sheets of paper,

speak to us, teach us, comfort us,

open their hearts to us as brothers.

–  Charles Kingsley (1819-1875)

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Q&A With Darien Gee About Her New Novel ‘Friendship Bread’

Darien Gee, author of The Friendship BreadDarien Gee is a Big Island writing dynamo, and acquaintance, whose new novel Friendship Bread (Ballantine Books/Random House) comes out April 5, 2011.

It’s a great read! I read some of it and really liked it. (It’s so nice when you read the writing of someone you know and don’t have to struggle to think of something nice to say.) I’m looking forward to the book coming out. She kindly agreed to answer some of my questions about her new book and her writing, and our Q&A follows. But first, if you’d like to know more, here’s where you can:

You can buy the book here. Do! It’s a good book, and you should support our Hawai‘i writers.

This is Darien’s fourth published novel. She’s definitely got it figured out! Here’s what she told me:

Q. Your newest novel’s genesis came about when your daughter brought home some Amish Friendship Bread, which definitely makes the rounds and we’ve all had it. How old was she, and where did she get it? Were you the type to bake?

My daughter Maya was eight when she walked through the door holding a Ziploc bag of Amish Friendship Bread starter and a few slices of the bread. She’d received it from one of her homeschool friends.  I actually told her to forget it, that we weren’t going to do it, but then I tasted the bread and I was hooked.

Q. Do you still have that starter going?

I do. I also have one that a friend gave me from 2006. Both are still going strong!

Q. Tell us how your novel idea formed from that.

On the day that Maya brought home the starter, I was standing in my kitchen eating the bread when I saw a woman in my mind with strawberry blond hair, regarding the bag of starter with the same initial apprehension. That was Julia. I could sense a sadness hanging over her, but I didn’t know what it was about. I started writing that night.

Q. What’s something you particularly like about this book?

I love the anecdotal characters of Friendship Bread, like Gloria the fortune teller, A.A. the biker, Connie the laundromat manager, and Clyde the pharmacist. They were a happy accident that ended up being an integral part of the structure of the book. I found they served two purposes: one, they showed how the bread was moving through the town and touching the lives of everyone in it, and two, they gave us a break from the intensity of the primary narrative. These characters were fun to write, because I got to stand in their shoes and just witness their lives spilling onto the page. I could see how their peripheral lives intersected with my main characters in an indirect, but sometimes profound, way. It was a good reminder about how interconnected we all are, and that we are not alone even when we think we are.

Q. Tell us about how you got started as a novelist; about deciding to sit down and write your very first novel. What made you do it? How old were your kids then? How did you do it?

Good Things was my first published novel, and I have one unpublished novel that I was offered representation on a few years prior. That story is now a little dated and I’m not sure I want to bother rewriting it versus starting something new altogether. Each time I read it, though, I fall in love with the characters all over again, so we’ll have to see.Good Things was written when my daughter was four. Each subsequent Mia King novel coincided with the birth of another child, and you can see it in my acknowledgments. My last Mia King novel, Table Manners, was tricky because my deadline was a few weeks after I’d given birth, but it worked out well in the end.I had some writers tell me that writing with young children was too difficult and that I’d be better off waiting until they grew up, but I didn’t want to wait—to be honest, I felt like I’d waited long enough. Friendship Bread, my fourth novel but the first one written under my own name, Darien Gee, will be published when my youngest is two and a half.

Q. How is it the process different now that you are on your fourth published novel? What has changed?

The process is the same. In some ways, Friendship Bread was a bit like starting over again—I ended up with a new agent, a new publisher, a new name (even though Darien is my real name, I’d never published anything by it). What changed is that I have more confidence about my work, about being able to tell a story that resonates with readers. I’m also better at navigating the business of writing.

Q. You seem to be publishing a book a year. Tell us about how you keep that up. What is your writing schedule/routine?

My original goal was a book a year, but then Friendship Bread took longer because in a way I was starting over. I don’t have a schedule and every time I try to set one, I don’t stick to it. I’m pretty disciplined when it comes to writing and edits, though, and I listen to my inner self—when it’s time to write and things are flowing, I write. Even if I’m tired. Even if it’s inconvenient. I’ll tell my husband that it’s time and we’ll re-juggle our schedules. If I’m in a lull, I give myself the time off and not force myself to write. I trust the creative process but I do integrate deadlines and personal goals. Everyone is different but this seems to work well for me.

Q. The novelist Isabel Allende starts writing a new book every year on January 8th. Do you have any writing superstitions?

I don’t have anything I would call a superstition, but I do have several processes. I rarely stop writing mid-chapter—I always write to a close. If I know I can’t get there, I may not write at all that day and wait until I can. I cannot leave things hanging and when I do, it takes me forever to get back in and I just don’t have that kind of time. I also seem to write better at night. I can work on edits or handle the business aspects of writing during the day, but when I’m working on a first draft, on a new story, I prefer darkness and solitude. I used to pass my husband and children in the hallways around dawn—I’d be heading to bed as they were waking up.

Q. What advice would you give to others who want to tackle writing a novel?

To go for it, to not give up. I have some tips on writing from a UCLA extension writing class. You can view them by going here (http://www.friendshipbreadkitchen.com/pantry/on-writing).

Q. What’s your next project?

I’m almost done with the second book in the series. It’s called Memory Keeping and picks up about six months after Friendship Bread ends, in the summer of the following year. Some familiar characters are back and some peripheral characters, like Connie, have moved to the forefront, and there are newcomers, too. There isn’t that much Amish Friendship Bread in this book, but we’ve moved onto something just as appealing: scrapbooking, thanks in part to Bettie Shelton, founder and president of the Avalon Scrapbooking Society. It does move through the town but in a completely different way and for completely different reasons than the first novel.

Darien Gee is the author of three novels under the name Mia King: Good Things (2007), Sweet Life (2008) and Table Manners (2009), all published by Berkley Books, Penguin USA. Her fourth novel, Friendship Bread, will be published in hardcover by Ballantine Books in April 2011 and has sold foreign, audio, e-book, and book club rights.

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How Freelance Writing Has Changed, & Why Editors Get What They Pay For

If you’re not in the freelance writing business, you might not know how much it’s changed. But oh, how it has changed.Check out this American Society of Business Publication Editors blog post, in which “ASBPE award winning freelance writer Tam Harbert explains why even in the age of content farms and $15 fees for articles, trade publications get exactly what they pay for when it comes to hiring editorial talent.”

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Why Personal History Projects Are Important

This documentary video of a woman telling her grandfather’s story is well worth a watch.

In it, Jonna Doolittle Hoppes gives a presentation on the WWII event named for her grandfather, the “Jimmy Doolittle Raid,” at the Historic Flight Foundation.

It’s an interesting story in itself; a fascinating piece of history. But at the beginning and end of the video, she really captures why personal history projects matter.

She nails why we should take the time to tell our stories, whether we connect with a personal historian who will put that story into book or video form, jot it down ourselves, or send it as a series of letters to the grandchildren.

I’m glad I got to see this.

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